Jesus,
Our Passover Lamb
“Speak to all the
congregation of Israel, saying: ‘On the tenth of this month every man shall
take for himself a lamb, according to the house of his father, a lamb for a
household. And if the household is too small for the lamb, let him and his
neighbor next to his house take it according to the number of the persons,
according to each man’s need you shall make your count for the lamb”. -Exodus
12:3,4
Exodus 12 gives us one of
God’s portraits of redemption, a picture of what Jesus did for us in His death,
burial and resurrection. At this time, the children of Israel were in bondage
in Egypt.
In the Old Testament, Egypt
is a type of sin, bondage or Satan’s kingdom—the kingdom we lived in before we
were born again. As the ruler of Egypt, Pharaoh is a type of Satan.
Israel, on the other hand,
is a type of the Church. Moses, God’s man, is a picture of Jesus Christ coming
on the scene with signs, wonders and m miracles to deliver God’s people.
Israel’s deliverance out of Egyptian bondage, into freedom is a type of the new
birth. Just as the Israelites were allowed to leave Egypt, so is a new believer
translated out of the kingdom of darkness into the kingdom of God’s dear Son.
Finally, the miracle that
produced Israel’s freedom centered around a lamb—what the Bible called a
Passover lamb. What the Passover lamb in the Old Testament accomplished for the
children of Israel through His death, burial and resurrection.
That’s why John the Baptist
called Jesus the Lamb of God (John 1:29).
And in Revelation 13:8, Jesus was called “the Lamb slain from the foundation of
the world”. Jesus is our Passover Lamb, whose death provided a way for those
who believe in Him to be saved, delivered, healed and made whole.
CONFESSION:
The Old Testament
Passover lamb opened the way for the Israelites to be delivered from Egypt’s
bondage. Jesus is my Passover Lamb. His blood opened the way for me to come
into the family of God and enjoy my inheritance!
From: A Devotional for
Divine Health Prescription for a Miracle, Mark Brazee, 1999
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